|
Tom Peric, president of Cherry
Hill, NJ-based Galileo Communications Inc., has spent more that 25
years in the media business. He is the editor of HVACR Distribution
magazine and author of Wacky Days, an easy-to-follow guide on
putting PR to work to help you grow your business.
If you want free publicity, you need what’s known as a media list.
After all, how can you contact the media if you don’t know where
they are?
Here the most basic way to do it without spending a penny.
Go to the Yellow Pages telephone directory and look under:
1) Newspapers (Daily)
2) Newspapers (Weekly)
3) Radio Stations
4) Television Stations
Input the information into a database.
Address your press release to the following:
1. Daily Newspapers – Send to: Editor
2. Weekly Newspapers – Send to: Editor
3. Radio Stations – Send to: News Director
4. Television Stations – Send to: Individual Reporter by name OR
News Director
If you’re also interested in the HVAC trade press, such as
Contracting Business Magazine, visit
www.hardinet.org, click on
resources links and scroll down. You’ll see links to the trade
press.
Now you have your list. Next month, we’ll cover the best way to
prepare and send a press release.
Which book have more HVAC contractors read regarding publicity than
any other? Visit
www.wackydays.com.
Tom Peric, president of Cherry
Hill, NJ-based Galileo Communications Inc., has spent more that 25
years in the media business. Contact him at
856-874-0049 or
tom@thegalileo.com.

Read This & You’re Guaranteed Media Coverage
April 2007
by Tom Peric'
Yes, I made a guarantee. And watch me fulfill it . . . all you have
to do is stay with me for three minutes to learn the most important
commandment in writing a press release and one almost no one really
follows.
I’m going to stun all my readers this
month with a simple, yet powerful rule that is one of the most
consistently ignored commandments in the media business. I see top
gun PR flakes break the rule (often) and even solid journalists do
the same. If you think this is hyperbole, remember, as the editor of
five different publications I read more than 1,000 press releases
each year.
Here’s the secret everyone ignores:
Most people who write a press release compose lousy headlines. Most
headlines are dull, say nothing, too cute or promise something the
story can’t deliver. Sometimes the headline is just wrong.
Yet headlines are the most important
element of a press release. One of America’s top marketing experts,
someone who gets, from what I hear, about $25,000 per appearance, is
allegedly to have said that you could sell anything with a great
headline and testimonials.
Well, I’m not in complete agreement, but I know what he meant with
the headline.
It boils down to this: If you can’t get your reader to go to the
next line you’re dead. Proof? Why do you read a newspaper article
especially if it’s NOT on a topic that you usually read? What makes
you actually read the article? It’s the headline. If you’re not
drawn it, you stop and turn the page or move on to another story.
There isn’t enough time for me to give
you a complete lesson on writing a headline. But I got you this far
with a pretty fair headline. So now comes the reward.
Here Comes That Secret Tip:
Here’s your big PR tip: Solve a problem in the headline. That’s it.
Just solve a problem.
I recently wrote a press release for
an insurance organization that has ties to the HVACR industry. The
original headline mentioned the connection. Nice, but so what? Does
the reader REALLY care?
What did Tom do with the headline? I
showed that the insurance company could LOWER medical coverage costs
IF they belonged to the trade organization.
Yes, I kept the connection between the
two organizations but it was important to give them a reason to read
more. The reason? Save money, it’s something everyone, especially
contractors, wants to do. (Sorry, can’t reveal who it is but you’ve
heard of them if you’re in the HVACR business.)
Here’s a quick example:
Company XYZ Releases New Value (Who
Cares!!!)
New Value Saves Technicians 20 Minutes
on Service Calls (Now, you care because you’re saving time. You
solved the problem of time that all technicians face.)
Another Tip
I was a very average headline writer
for many years as a journalist. Frankly, I didn’t care about
headlines (even though I “knew” the rule about its importance). I
always reasoned that my writing was so good readers would just
devour my words. I was wrong. The simple truth is that without a
compelling headline, they won’t bother to read what you write.
I got better at headline writing with
a very simple approach. Practice. I started paying attention to
headlines. Remember your first change-out with brand XXX? Tough! How
could you ever do it by yourself, you asked. A year or two later and
you’re ready to show someone else how it’s done. Practice is what
gave you the skill and the confidence. Practice really does almost
make perfect. And if you don’t have the talent for it (after all,
who has talent for EVERYTHING), find someone who does.
Next month I’ll write some good and
bad headlines for you.
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc. spent more that 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by Creating
a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049
or
tom@thegalileo.com.

Fat, Forty and Fired
April 2007
by Tom Peric'
Now THAT’S A GREAT Headline.
Following are several time-tested, effective ways to write better
headlines. Allow me to share a big secret with you. If you don't
know how to write a headline or feel uncomfortable about writing
one, here is a painless, no-cost approach (you don’t even have to
buy my book) to solve your problem.
It’s Good Friday, and I’m checking my mail. I see that there’s a
book package. I open it reluctantly because as editor of B2B
Marketing Trends, I don’t review books anymore. (OK, it’s the title
of the book, but it is still a headline.)
Then I read the title (headline) and actually snicker.
The headline is PERFECT for TWO reasons.
First, it got my attention. I erupted with a slight laugh.
Then I went to the inside flap of the dust cover to see what the
author looked like. Good-looking fellow and certainly not fat.
Because I happen to be well over 40, the book hit a resonated chord
with me.
But here’s where the headline and then the accompanying material
really worked: I decided to read the book.
Any writer would call that a touchdown.
Now to return to the issue of writing a headline. If you remember
from a previous lesson, I mentioned the importance, indeed, the
overwhelming importance of writing a good headline.
I also promised to spend this issue talking more about headlines,
with some examples.
I've already started with one example that I thought was terrific.
Following are several time-tested, effective ways to write better
headlines. Allow me to share a big secret with you. If you don't
know how to write a headline or feel uncomfortable about writing
one, here is a painless, no-cost approach (you don’t even have to
buy my book) to solve your problem.
Simply go to your supermarket and look at the headlines of the
magazines at the checkout counter. They offer a graduate school in
headline writing. Also keep in mind that many of those publications
rely on counter sales rather than subscriptions to make a profit.
That means they have to grab your attention or you won't buy the
publication. I would strongly urge everyone reading this lesson to
study the headlines of the magazines the next time you’re shopping.
Secret No. 1: In my previous lesson, I mentioned that if
you simply solve a problem, you're on the right track. I still
believe that you simply cannot go wrong with solving a problem in
the headline.
Let’s try it. (I'm going to use contractors or contracting as an
example, however. The principle remains the same no matter what the
product or service is.)
Bad: Joe’s HVAC Contracting
Business Offers Discount for Spring Service
Who cares? It would be unusual for a
newspaper to use this headline from a press release. It smacks of
being too self-serving and reads like an advertisement. The only
redeeming quality is that it hints at saving some money.
Good: Local HVACR Expert Offers
Free Maintenance Audit
Before Memorial Day
Contractor Reveals Inexpensive
Maintenance Tips
The good headline is effective for
several reasons: 1) you've established a local identity; 2) you used
the word free — still a very popular and effective word. Even today,
it is an eye catcher; 3) it’s timely because it’s springtime, and
people are thinking about tasks around the home; 4) you've offered a
deadline to the reader, literally “forcing” them to decide by
Memorial Day. (We call the line below the headline a subhead –
it expands on the headline and is a very effective copywriting
technique.)
Let’s recap: You have a local person offering something for free
with a solution to a problem: managing your home maintenance issues.
Now you take it even further with the subhead. You get specific. You
now demonstrate that they're going to share maintenance tips and,
more importantly, that those suggestions are both easy and
inexpensive, which are always welcome to the ears of a homeowner.
Another tried and true method that is
extremely effective is simply to add two words to the headline: how
to. It's amazing how those two words continue to grab our attention.
Here’s an example.
Bad: The Things You Need To
Know When Buying An Air Conditioner
This example isn’t really a bad
headline, but it's too wordy for what it says and too vague. It
does, however, suggest that you're going to get some valuable
information.
Good: How To Buy An Air
Conditioning System
Without Breaking The Bank
This headline starts off with the
powerful how-to and immediately explains what. If you're going to
buy or even thinking about buying an air conditioning system or even
an air-conditioning unit, you probably will want to read this
article. The headline tips you off that some suggestions or advice
follow. What makes this headline particularly effective is the added
“without breaking the bank.” Why? Most homeowners either know or
suspect that air-conditioning systems are expensive – it's a major
purchase. What you're already suggesting in the headline is they can
have this new system and it doesn't have to put them in hefty debt.
Secret No. 2: Another secret to writing a headline is to
use a number. That's why good headline writers use numbers.
That’s also why you will see “3 Easy Ways To Make Money In Your
Spare Time” or “7 Best Ways To Save Energy In Your House While
Reducing Costs.” Numbers provide a finite universe of information
because they're telling the reader exactly how many steps or points
they will have to read in the article.
Bad: Fighting A Heat Wave With
A Reliable Air Conditioner
This headline isn’t dreadful but it
certainly is boring. You're also stating the obvious. So the reader
has to ask: Why should I read this? I already know that an air
conditioner can keep me cool.
Good: 7 Easy Cooling Tips
During A Heat Wave
Best: 7 Easy Cooling Tips Offer
Heat Wave Salvation
The good headline is the shorter and
more specific one with the promise of comfort. First, it tells you
there will be 7 tips. Then it tells you that those tips are about
cooling, and will be easy to follow in the heat wave that you're
suffering through. Support the headline by formatting the body of
the press release with seven bullets, each representing one tip.
This provides a tight and informative body to the press release.
• That’s a
bullet.
After finishing the good headline, I
thought of another one that is ever so slightly longer. I consider
it to be the best headline of the three. Why? The language is more
descriptive and more powerful.
So there you have a few examples of headline writing for
contractors, keeping in mind that what works for them works for
anyone.
* * *
By the way, the book, Fat, Forty, and Fired, is about a top
gun advertising guy who lost his job and then turned 40. Most of us
would call it a midlife crisis, and there are tons of books like
this. It seems that the Australian author, Nigel Marsh, is the
chairman of Leo Burnett Australia. Everyone considered Leo Burnett
(the company founder) a genius in the advertising field. Presumably
Marsh knows something about writing copy.
There's a lot more to be said about writing headlines, but if you
focus on creating a headline that solves a problem and use the words
“how to” or a number, you will be fine.
Just remember! The headline has only ONE goal: Getting the reader to
read what’s BELOW the headline.
Next lesson: Below the headline.
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc. spent more that 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by Creating
a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049
or
tom@thegalileo.com.

How to End Your Press Release
June 2007
by Tom Peric'
Now that you’ve written the press
release, what is it that you REALLY want?
Remember, nothing is more of a turn-off in the consumer press than a
blunt effort to sell your product, service or message to the
audience. Yet if you didn’t want to sell it, why send a press
release in the first place? The trade press is far more forgiving
for including information that others might consider to be a more
sales friendly approach.
So what do you do? If you include it, do you want to risk the wrath
of the editor and then have him spike (not use) your press release?
If you exclude it, why write and send out one when it does you no
good?
OK, Tom, what’s the answer?
Tom’s Secret Formula:
First, include the “sales close” as the very last paragraph
in the press release. That way, if the editor decides to cut it from
the press release, most of your story will still appear. Don’t be
the editor. Let him or her decide whether to cut. So, include it.
While most editors might cut the paragraph detailing how to “get”
what you’re offering, occasionally you might be surprised when the
editor leaves it in. And when editors “cut” copy, they generally do
it from the bottom up.
Second, pay attention to the language. If you use blunt
publicity (PR) language, meaning outrageous, flamboyant,
over-the-top words to describe your product, service or message, you
increase the risk that the editor will kill (delete or cut) the
closing paragraph.
Here’s an example of a closing paragraph with too much exaggerated
language.
You can order this new, earth-shattering tool,
Joe’s Widget, which costs $19.95, by calling 555-555-5555 or
visiting
www.joeswidget.com.
We take all credit cards and know that you’ll be completely
satisfied with the product that blows away the competition.
Whew! What a load of hogwash. Any editor who lets that run in the
publication is not doing his job.
Here’s an improvement.
Acme United created the improved Joe’s Widget
because a deluge of e-mails convinced management that an improvement
in the style and durability of the widget was possible at a
reasonable price. The new widget costs the same as the original one:
$19.95. Consumers can order or obtain more information at
www.joeswidget.com.
The paragraph above has a much better chance of being included in
your publication than the previous, self-serving example.
Third, you can forego both paragraphs and coax readers to
your Web site by NOT offering something that relates directly (and
obviously) to sales. We’ve heard and read this only a million times
(OK, I exaggerated, but I am in PR, after all), and yet it astounds
me that so few people do it. And I don’t know why other than
laziness, a mental oversight, or they can’t think of what to give
away.
Here’s how to do it, staying with the theme of Joe’s Widget.
For a free report from an independent testing
agency that measured the durability of Joe’s Widget, visit
www.Joeswidget.com
and click on Free Test Report.
I love this one. You’re not bluntly “selling” anything, yet you
certainly are offering some information that some readers might
want. I know that before I buy some products (especially
electronics), I want to see how they compare to others in their
class.
In short, drive readers to your Web site with the offer of a free
report or consultation, etc. If you want an example, just send me an
e-mail, mention Tom Piscitelli’s name, and I’ll send you one that
shows how the author of an article in the HVACR market does it
right.
Next issue: Let’s Chat About Talk Radio
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by
Creating a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049 or
tom@thegalileo.com.

Radio: Is This The
“Easiest” PR Possible?
July 2007
by Tom Peric'
OK, I exaggerate. PR is never really that
easy unless you’re a celebrity or a star, but I have always found that
if I pick up the phone and work it by calling radio stations, I get my
clients booked on talk radio.
Talk radio is a funny bird. Either you listen to it or completely ignore
it. For now, I’m going to only focus on today’s free radio and not the
future pay-for satellite or local radio service. Here is what makes
radio great.
When the FM reception in my Volvo went
on the blink a number of years ago, I never bothered to fix it and I
became a solid talk-radio listener for a few years. Plus, it helps
in my business to listen to or read all sorts of media. Also, it
doesn’t hurt that I consider one of the top radio guests in the
country as a casual buddy and learned a lot from him. (He’s been on
radio more than 1,000 times.) But I was getting my clients on radio
even before I met him and refined my skills.
Here is what makes radio great. First, they have an unending need
for “guests,” especially if the show is daily. Think of that. Let’s
say they have two guests per day, five days a week, EVERY week of
the year. That’s more than 520 guests per year. That’s a lot of air
time to fill. Remember, the syndicated talk show hosts have MILLIONS
of listeners. In radio, the audience is far more captive than
television because you’re probably in a car when listening.
Second, you can be anywhere in the country and “appear” as a guest
on talk radio. Really. It’s called the telephone. (Professional tip:
If you’re a guest on the radio, and it’s NOT in the studio, ONLY use
a land line. All others tend to give off strange noises, and radio
hosts HATE it. NOTHING still beats a land line for clarity.)
Third, once you know what you want to say, all you have to do is
repeat yourself, because each audience is fresh regardless of where
in the country they might be listening from. (Of course, you should
be aware of geographic or regional differences. For example, if
you’re a contractor, understand that plumbers and boiler guys put in
radiant heating on the East Coast – as a rule – while HVACR guys
install it in the Midwest.
Fourth, radio interviews are quick, down and dirty. Most interviews
range from five to 15 minutes. After you prepare for your first
radio interview, it’s pretty much the same for all the following
ones.
Fifth, radio hosts are quite willing to take potential questions
that you offer as part of the program. This means you probably won’t
have questions that surprise you, allowing you to mold the message
that best suits your goals. (Do NOT try this with print journalists
in the consumer press, like newspaper reporters. You would insult
them with this practice.)
Sixth, looks don’t matter. People tell me I have the best radio face
in the business. In short, it’s what you say, how you say it but NOT
how you look.
How do you get on talk radio? Approach it the way you would for any
other media. If it’s a show that has general topics, remember the
mantra. Offer them a topic that will inform, entertain or educate.
Since I like contractor examples and I’m writing this a few days
after the beginning of summer, why not offer them a show like this?
How to Cool Your House with 10 Easy Tips So that You Never Have
to Call a Contractor. Better yet, as soon as I’m done with this
article, I’m going after some radio. I just got a weather alert
warning me about a heat advisory. Stay Cool During a Heat
Advisory Without Calling Your Air-Conditioning Contractor. Now,
that’s a great headline.
What? You’re a contractor. Of course, you are. Why would you want to
offer advice that says listeners don’t need you? By offering that
kind of headline, it shows 1) You have news instinct; 2) That you’re
OBJECTIVE. Besides, if any consumers end up with a real problem with
an air-conditioner, of course they’re STILL going to call a
contractor.
But shouldn’t they call you because you’re an expert (the
radio man) and because you must be fair and honest because
of the tips you shared? (You just told them to change their filters.
Most people CAN do it, and they really don’t need a contractor for
that basic task. You haven’t lost any business.)
While I use contractors as an example, these basics apply to any
profession: doctors, lawyers, salespeople, consultants, Indian
chiefs.
A couple of tips before you go on radio:
-
Relax. It’s
only radio.
-
Don’t speak too
fast.
-
Keep a note
card in front of you with your major talking points in case you
get sudden memory loss.
-
Have a glass of
water nearby if your throat gets dry. (Don’t forget this one.)
-
Use a land line
to call in.
To get on local radio shows, just send
a guest alert to the host of the talk radio shows in your area.
You’ll have to check to see whether the host has a booker – that’s
the person who “books” you (makes the appointment) to appear on the
show. The guest alert is a one-page snapshot that shows the Who,
What, When, Where (sometimes) and Why your topic is important. This
will be used to remind listeners who you are.
If you send an e-mail or snail mail pitch, be sure to follow up with
a phone call. Why? They want to hear what you sound like. But this
is important. If you get the host or booker on the phone, you
ABSOLUTELY, POSITIVLEY must keep your pitch for an appearance to 30
seconds or less. Honest. I used to practice mine with a stopwatch.
This is the one time it’s OK to speak somewhat quickly. Just be
clear.
True story. Notice the funny name of my book, Wacky Days: How to
Get Millions of $$$ in Free Publicity by Creating a “Real” Holiday &
Other Tactics Used by Media Experts (www.wackydays.com).
Ever wonder why I did that? I did it for talk radio. No talk show
would put me on to talk about publicity (with the exception of
business-related shows). But I’ve been on talk radio shows
throughout the United States talking about “Wacky Days.” Why? There
is, The Great American Grump Out Day (honest) and National
Horseradish Month (also true). Are these days for real, and how
can listeners actually create a holiday of their own? They are, they
can and over the radio I tell them how to do it. Why? I want them to
get the full story by buying my book.
You see, I’m pitching (selling) information that is both
entertaining and somewhat informative. It has the Gee Whiz touch to
it.
Now get some practice by listening to your local talk radio shows.
You can check out the Web site of your local talk radio shows and
see how they want you to pitch them on a story idea.
You can also call up the host and say, “Joe, I was listening to your
show and enjoyed it. Here’s a good segment (they like that word)
idea for you: NOW GO INTO YOUR PITCH AND FINISH IT IN 25 SECONDS.
(If the show focuses on a specific topic or theme, however, you MUST
use that angle. For example, if it’s a show that discusses flowers,
you must have some kind of flower angle. A business show? They need
business topics.)
Good luck.
Next Lesson: How to Become a Television Star with a Simple
E-mail.
Copyright 2007 Galileo Communications Inc.
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by
Creating a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049 or
tom@thegalileo.com.

How to Become a
Television Star With a Simple E-mail
July 2007
by Tom Peric'
Can you really get free television
coverage from a simple e-mail?
In last month’s column, I made a big promise, claiming that you can
get on television with an e-mail. You can. I’ve learned what a
newsperson looks for and you can too, so let’s start with a basic
course. I should add that I’m talking about local television in your
viewing area. When you get on local TV you get local attention.
That’s what you want. The big-time national television shows are an
entirely different topic even if most of the principles remain the
same.
The first and most important element to remember about television is
that it’s all about (almost) the visuals. Yes, that seems obvious,
but unlike a regular print or even radio news story you have to
think about what the audience sees. If you don’t begin to think that
way, you’re more likely to fall flat when pitching an idea to a
television newsperson.
Here’s an example for an HVAC contractor. You know that changing the
filter on a furnace is a basic, easy way for consumers to keep their
unit running more efficiently and is more trouble-free.
You could add to your emailed sales pitch a note that says,
Visuals: Everyone can change a filter. I show your viewers how easy
it is. And I take a filthy, lint-clogging filter and demonstrate how
in a few seconds flat they can clean the filter, without breaking a
sweat.
Be sure when you pitch this to your local television show that you
mention what the viewers will see. The more dynamic, active or
colorful a visual that you can provide, the more interest you are
likely to generate.
When you offer visuals, also think of the people who are the
backbone of every story (unless it’s an animal-related segment).
Don’t hesitate to tell the television personality that the subject
is comfortable in front of a camera. I always tell them that my
subject knows how to speak in sound bites, those short, catchy,
colorful sentences that make an impact yet an editor can “cut” with
no effort.
Whom do you contact? In your case, I’d go with the reporter or
anchor who you think might cover the story. Use common sense. You
don’t go to the health reporter for a story about making money on
the Internet. If it’s a feature story with a softer touch, watch the
station to see who does those puff pieces. Hard-hitting angle? Seek
out the hard-nosed television journalist or the investigative
reporter if they have one. HVACR fits nicely with consumer reporters
and feature reporters. Remember they are looking for stories to
tell.
You MUST write a compelling headline in the subject area to get
attention. I know I’ve covered this in the past, but electronic
press releases inundate the newsrooms of television stations. You’ve
got to get a reporter to read down into the press release, or better
yet, your two- or three- (short) paragraph summary about the story
(WITH visual suggestions).
Go to the station’s Web site to find out how they want you to pitch
story ideas to them.
Tom’s Secret: Most television stations have an electronic
form that you fill out to suggest story ideas. I almost NEVER use
it. Why? It’s hard to stand out. I try to send my pitch directly to
a reporter or anchor. Many stations share these e-mail addresses,
but you’ll just have to visit their Web site. If they don’t share
the e-mail, scour around the site until you can find a person
connected to the station. Often the marketing, advertising or sales
department offers e-mail addresses. Look at the format for e-mail
addresses. If it is (and I made this up) tom.peric@abc.com, you can
bet it’s the same for everyone at the station. Let say you know that
Julie Smith is a reporter at the station and seems like the type of
person that might want to report on your news. Just adapt the format
to the name, Julie.Smith@abc.com, and you should have access via
e-mail address to that reporter. If the name is too long, for
example, Julie.Washington@abc.com then you might have to substitute
the complete first name with an initial.
Next Month: Those Pesky Columnists.
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by
Creating a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049 or
tom@thegalileo.com.
Special Note: I keep only ONE
client per industry. For the first time in seven years, I have a
client opening available on the HVACR contracting side. If you are
interested in a chat about PR, give me a ring.

Touching Base with
Pesky Columnists for Free Publicity
September 2007
by Tom Peric'
Here’s why you should consider
columnists as a prime target for your publicity campaigns. They’re
always searching for new topics. Let me repeat. They’re ALWAYS
searching for new topics.
Columnists are a funny group, whether they’re writing for a
newspaper, magazine or online publication. First, a columnist simply
means that the writer writes an article which appears regularly in a
media outlet. For newspapers, it’s probably two to three times per
week, for magazines it’s usually monthly, and online can be whatever
schedule the editor and writer agree upon.
What’s funny about columnists is that lots of writers want to be
one. They’re brimming with ideas and can’t wait to have their say
without the usual hard effort of solid reporting. Then they find out
after a few months that they don’t have that many ideas anymore.
And that’s why you should consider columnists as a prime target for
your publicity campaigns. They’re always searching for new topics.
Let me repeat. They’re ALWAYS searching for new topics.
I’ve written a quarterly, then almost bimonthly column in HVACR
Distribution Business magazine for more than seven years. I’m ALWAYS
on the lookout for something that is new, fresh, interesting, hadn’t
thought of before, a different spin on a common or old topic or a
view about an emerging trend. Of course, for this publication, it
must be relevant in some fashion to the HVACR business. To this day
I am amazed at how few people ever contact me to suggest something
that would either directly or indirectly give them free publicity.
Here’s how you do it.
• Read a few columns. You must be at
least modestly familiar with the columnist’s style, approach and
orientation. If you’re a dyed-in-the-wool Republican and you suggest
an idea or approach that would alienate the columnist whom you’ve
determined keeps a shrine to Bill Clinton in his cubicle, well,
chances are you might not have a receptive audience. Worse, he might
use your comments for a column that is critical of the very position
you espouse. (This is fine for those who don’t mind the media heat,
but most people are NOT suited for this.) For example, if the
columnist you’ve been reading in your hometown newspaper clearly
shows a bent for the “little person” and writes about how someone
swindled a reader as part of a roofing scam, you might want to
consider sending in a short, bulleted note about HOW TO AVOID scams
in the HVACR industry. For example, check recent and nearby
references, ask if the contractor is NATE certified, verify how many
years in business, etc.
• Mention that you’ve read a few of
his columns. This doesn’t mean you have to be a loyal reader for 20
years, but show, hopefully with a compliment or comment, that you
are familiar with the writer’s past work. We’re human. Even the
crankiest, most hard-nosed columnist needs to know that someone out
there is reading him. When a former HARDI president told me
spontaneously (in front of my publisher no less) that he couldn’t
sleep the night before and ended up reading my column, well, of
course, I blushed. Felt good, too. Important point: Don’t EVER
forget this. Most writers hear about their work when they screw up.
A misspelling, wrong information, confused details. Writers SELDOM
hear about it when they do a commendable job. A pleasant word of
praise does go a long way – just don’t overdo it.
• Don’t blatantly try to use the
columnist for free publicity. Do you think they’re stupid? We all
dislike it when someone uses us. Focus on the needs of the writer.
What can you tell him or her that would motivate the writer to use
your comments or information in an article? Let me illustrate with a
non-HVACR example. I have several friends who have started a
hard-copy quarterly magazine called Girlfriendz, The Thinking
Woman’s magazine. In a nutshell, they’re going to try to reach baby
boomer women in a tricounty area of southern New Jersey. Gutsy to
try a print publication when it’s SO much cheaper to go online. Now,
they could go to a local columnist and say, “Gee whiz, are we great,
we’ve got this new publication, and I’m sure you’ll want to write
about us and we’ll dance in a circle for joy because this is such a
good story.” WRONG. They’re smart and they would never try that
approach. But here’s what has a much better chance at working. (And,
yes, in this case, I’d go with a female columnist if the publication
has one). I’d write: Donna, I’ve enjoyed your columns and the one
about the woman who got off of welfare and started a window cleaning
business really hit home with me. I’ve lived in the business world
for more than 15 and just started a new venture with an unusual
twist. I’m starting a new business (keeping the old one, of course)
with two of my buddies, boomer women, who have business strengths
that I lack. And, to be even more gutsy, we’re going against the
grain. We’re launching a new print publication, Girlfriendz, The
Thinking Woman’s magazine, even though many people said it was
cheaper to go online. But we have a different vision . . . . and
then you continue. Now what columnist in their write (OK, right)
mind would pass up an opportunity to interview someone on the
Girlfirendz staff? (By the way, you can visit Girlfriendz at
www.girlfriendz.com.)
• Don’t be afraid to suggest a second
source whom the columnist can talk to in order to bolster your own
topic. I probably wouldn’t suggest a competitor but I might suggest
a source that is authoritative. Important: Think local if that’s the
publication’s focus, think national if it goes everywhere.
• Try another columnist if the one you
first approach passes on (rejects) your idea. So what? A good idea
is a good idea. You just have to find the person who appreciates
your topic. Go through the entire appropriate columnist list at the
publication.
Next month: How to translate trends into free publicity.
© Galileo Communications Inc. 2007
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by
Creating a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049 or
tom@thegalileo.com.
Special Note: I keep only ONE
client per industry. For the first time in seven years, I have a
client opening available on the HVACR contracting side. If you are
interested in a chat about PR, give me a ring.

Why Riding a Trend
Garners Free Publicity
October 2007
by Tom Peric'
Trend:
1. The general direction in which something tends to move.
2. A general tendency or inclination.
3. Current style; vogue: the latest trend in fashion.
Source: The Free Dictionary
Journalists love trends. If you can pitch (suggest) a story idea
that’s a trend, you’re halfway home. Most analysis of the media,
including by journalists themselves, arrives at the conclusion that
journalists (like most people) often have a pack mentality. That is,
a story sprouts, and then for some unfathomable reason, it gets
covered until we’re sick of it, only to die a “what happened to . .
. " death.
The point is that ideas are one of the most important elements in a
journalist’s life and when things are slow or they’re unsure what to
do next, following a trend story, one that has captured the
attention of the public or one that journalists think their audience
should be aware of, is a regular and accepted crutch in the media
business. (If you are too tough on journalists, think of how often
you start using a trend or buzzword that you eventually excise from
your vocabulary.)
To get media coverage, you have to show the connection between the
idea you’re pitching and a trend that is occurring or about to
occur.
An example. If you’re in the HVACR business, the most obvious
example you could show is how SEER 13 (and even SEER 14) is part of
the “Green” revolution that has everyone asking how can we be more
energy efficient and reduce greenhouse gases that affect our
atmosphere. (For noncontractors, SEER stands for seasonally energy
efficiency rating. The U.S. government and the Department of Energy
regulate air conditioning efficiency. The higher the SEER rating,
the more efficient the unit.)
SEER 13 Furnaces Join Green
Revolution
New Furnaces Save Energy, Lower Utility Bills & Help Save the
Environment
There, I’ve just given you a working
headline for your next pitch to the media about why consumers should
know about SEER 13 furnaces. As the expert, you fill them in on the
details. All SEER 13 manufacturers can provide you with detailed
information about the
benefits.
Remember when poker playing among kids was a hot topic? I managed to
get a client’s son on the ABC affiliate in the fifth largest TV
market in the United States by pitching the idea to the anchor that
the station HADN’T covered the story. Then, I offered a psychologist
(client) who could talk about the issue this new trend raised, and I
offered a group of kids (one of whom was the son of a client) that
played poker while supervised by a parent. Great story, clients
happy.
How do you find a trend? Just be aware of your surroundings and pay
attention to stories the media is covering. When you see a story
that’s in the news, ask yourself: How does this affect or apply to
my business, and what can I share with the public (or business
community) that will educate, inform or entertain?
How do you spot a trend? Read the business and trade journals of
your industry which tend to spotlight what is a trend or what will
become a trend. Remember, the three most important elements: What is
the trend, how does (or will) it affect my customers, and how can I
share my expertise with the media that will (again) educate, inform
or entertain them?
If you rely on trends to bolster your media pitching, you’re bound
to land some free publicity.
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by
Creating a “Real” Holiday & Other Tactics Used by Media Experts
(www.wackydays.com)
has sold more copies to HVACR contractors than any other in the
industry. Contact him at 856-874-0049
or
tom@thegalileo.com. Special Note: I keep only ONE
client per industry. For the first time in seven years, I have a
client opening available on the HVACR contracting side. If you are
interested in a chat about PR, give me a ring.
Special Offer: Though some people call me an expert at
publicity, I also know that I’ve become insulated from the novice
who wants free publicity, because I’ve been at this a long time.
Here’s a dynamite offer.
The first five people who send me one or two questions that bug them
the most about getting publicity will receive a free, autographed
copy of my book, Wacky Days: How to Get Millions of $$$ in Free
Publicity by Creating a “Real” Holiday & Other Tactics Used by Media
Experts (www.wackydays.com).
No strings attached, I’m not going to put you on a mailing list,
etc.
I simply what to know what a novice or even an experienced business
person wants to know about generating publicity for themselves or
their company.
Send your question(s) to:
tom@thegalileo.com
Just write “Publicity Question” in the subject heading. And I might
even ANSWER a few of the questions in this column. Many thanks. Tom

Real World Publicity
Questions
Forget the experts. What kind of problems does a contractor have
when he wants free publicity?
November 2007
by Tom Peric'
Last month, I asked readers to e-mail
me with any questions they might have about conducting their own
public relations (PR) campaign. Well, Jeff Waran responded with
great enthusiasm and lots of questions. Here are his questions and
my answer. This is a great opportunity to take a peek at the
real-world issues you might have or will face.
________________________________________
From: Jeff Waran [mailto:jeffw@howellsac.com]
Sent: Thursday, October 04, 2007 8:46 AM
To: tom@thegalileo.com
Subject: Publicity Question
Good morning, Tom,
I bought your book "Wacky Days" about a year ago. I love it. I have
used some (not all) of the ideas in it. Here are some of the
questions that I have:
1) First, how often should I be
sending out press releases? Is there a point at which it is
considered harassment, or a point where the editor says, "Not him
again!"?
You should send out a press release
whenever you have "NEWS". That's the tricky part. In theory, a press
release once a month makes sense. The keys are to what editor are
you sending the release, and what's the content? Let me explain. If
you're sending out thinly disguised "sales pieces" announcing that
you’re having a sale, for example, that's not news and even two such
press releases will irritate an editor. If you’re sending out a
total of seven press releases to the newspaper, during a seven month
period, announcing new hires, and it goes to the editor responsible
the page that runs new hires, that number is just fine.
The best way to approach it is to
create a calendar of press releases for the year and decide how many
legitimate AND relevant ones you can send out. For example, the
contracting business is (no matter what anyone says)
weather-related. Certainly, four releases should go out whenever the
seasons change. I hope everyone is paying attention. Winter-like
weather is coming (and here in some places). You can also send out
press releases during those special moments in the contracting
industry. For example, a heat wave is generally defined as three
consecutive days at 90 degrees (or more). I always send out a "How
to keep Cool" release to the TV stations. It often works for
coverage.
If you send out a release for six
months and nothing happens, call the editor and say, "Joan, I've
been sending you timely, relevant releases for six months, and
you've never used them. I've tried hard to make sure they contain
solid news. Could you help me and tell me what I can do to make them
more interesting for you?" Put the editor on the spot. The smaller
your market, the more approachable your editor, as a rule. Be
polite, don't demand, and let them tell you what AND how they want
the info.
2) I seem to be getting nowhere
with my "free" television publicity. It seems that all of my
releases never make it past the "phantom" sifting through the
releases at the news desk. I have since tried an online version by
going to the station Web sites and e-mailing the press release to
the appropriate reporters’ e-mail. No success yet. But I remember
you stating in your book that it is consistency that wins the
battle. (Not really a true question here, just info on my approach.)
This is why PR people like me can
charge lots of money. This is an art, combined with persistence and
LOTS of luck. In short, there is no formula because what interests
the media are decisions made by news people, usually on a
spontaneous basis. I can control the first two, not the last. Let me
illustrate with a true, ongoing story. A modestly sized town is home
to an important client of mine. They have an international
reputation. The founder is retiring, so it SHOULD be big news for
this newspaper. (It's considered small-medium daily newspaper with
about 35,000 circulation). I've been chasing the business editor
since June on this story. I'm writing this on Oct. 28. JUST last
week, the business reporter affirmed that he hopes to interview the
principals this week. (And, having been in this business long
enough, I NEVER count media coverage – or hits, as I call them --
until I see it.) I'm not telling you about the follow-up phone calls
while at the beach this summer, nor the overnight background
materials I sent, etc. What won here was not my brilliance but my
persistence. On the other hand (and I swear this is true, too), this
same client made the front cover of a trade magazine in July and
goes on the competitor’s front cover in March. I sent an e-mail to
both editors. Response time was about 30 minutes. Both said front
cover almost immediately. Didn't exactly kill myself on those, did
I? It’s an art, it’s persistence and it’s luck. Also, and this is
from my book, Wacky Days (www.wackydays.com),
its stories about people and ideas. Not about your business.
3) The local NBC affiliate here in
Richmond, VA, started an online/on-air program called Pros-Online
about two years ago. They have six local professionals from
different industries (with exclusivity), and for a fee they are the
Pro-Online. It is a package where we get a devoted on-line page on
the NBC affiliate Web site linked to ours, as well as an on-air
package of 15- to 30-second second commercials. I jumped on this
immediately. However, you would think that this status would give me
a leg up on my press releases, but it has not. Can you offer any
advice?
Two departments. One is news, the
other is sales. In THEORY, there is supposed to be a separation of
church and state. That means advertising should NOT have a bearing
OR influence on the news department. In extreme cases (regardless of
the media), the news department will barely talk to the sales
department. In other cases, the sales person walks over to the
“news” department and says, “Got a new advertiser, I think we should
run a story about them.” “OK,” says the news person.
The problem is that you simply never
know exactly how much or little the two departments work (or don’t)
together. So, allow me some generalizations to help you.
First, the larger and more powerful
the organization in its market, the less influence the sales
department will have. The consumer press is far more resistant to
sales influence than the trade press. The reason should be simple.
The trade press sends out free issues that base revenue almost
totally on advertising. The consumer press will often have a
substantial income flow from subscribers who PAY for the magazine.
I could spend an entire chapter on
this issue. Here’s the short cut answer. Contact your sales rep and
be politely blunt: “Joe, I’ve been advertising on your site and
buying ads for two months. I’ve also sent some pretty good press
releases, but the station never covers my story ideas. Does my
advertising have any influence that either you or I could use?”
Two more important points. I’ve never seen your press releases, so I
don’t know how timely, interesting, etc. they are. If they’re off
base, and I’m NOT suggesting they are, but IF they are, you won’t
get coverage. (Don’t send me your press releases. I charge for that
service.)
Second, it’s television. That’s an
incredibly hard market to penetrate. Remember, even a small
newspaper will have literally a dozen stories every issue. A
half-hour local TV news broadcast, when you eliminate the usual
suspects, local breaking news, weather, sports and breaking national
news, that has left only two to four stories on the show. That’s not
a lot. You can probably figure the station got between 25 to 100
ideas that day. Why should they pick you? That’s how you have to
think.
Third, you operate in the 59th-largest
television market in the country, out of 210. I pitch stations
locally in the Philadelphia market, which is the fourth-largest. You
have a tough, competitive market. So do I. It simply means you have
more competition than many other markets. The same ½ hour show has
the same length REGARDLESS of the market size. It’s the number of
competitors that makes it more difficult. If you get down, come join
me in Philadelphia and see what it’s like.
4) I guess lastly, you say that anyone can get on Oprah, they
just are afraid to try. I understand that it can be a local
publicity wave, and one that we can ride for a long time, but how
realistic is it to try it in the HVAC world? I have already started
my release for her show. The headline reads, you’re being robbed!
(Yes, even you Oprah!)
First, that’s not a bad headline. What
I hope you’ve done is 1) shown how the littler person is being
robbed; 2) demonstrate that it’s widespread throughout the United
States (appealing to her national audience); 3) offer some real-life
examples, women being the best examples because that is, again, her
audience; 4) offered free or low-cost solutions; 5) it’s TV, so
don’t forget the visual suggestions.
Study Oprah’s site. She gladly takes
ideas. Here’s some help. Visit
http://www2.oprah.com/email/email_landing.jhtml
Here’s the cliché that’s true. If you
don’t play the lottery, you simply can’t win. I would suggest you
don’t make appearing on Oprah as your ultimate goal in life. I would
suggest when a story has national appeal that you send her a show
idea. And keep sending it.
Last piece of advice. When you write to her, make it as “real” and
personable as possible and forget the jargon or the canned phrases
that so many “pros” use.
I don't need another copy of your
book, Tom. I just want your advice. I am an ex-technician turned to
salesman turned to marketing manager. I am going by instinct and
experience with homeowners. Any advice I can get is treasured. You
should ask Adams [Hudson, the best HVACR marketer out here – Tom
Peric note] how many times I have called him.
Jeff Waran
Sales/Marketing Manager
Howell's Heating & Air Conditioning
11216 Air Park Rd.
Ashland, VA 23005
Office – (804) 798-1371
Cell – (804)283-2486
jeffw@howellsac.com
www.howellsac.com
(Click here to find an extra $1,500 just waiting to be claimed)
In a follow-up e-mail Jeff sent me
ANOTHER question(s). Here are my short answers.
I also have other quick questions if you don't mind. I have put
together a Press Kit. Is there a proper format? Put relevant
information in a folder with two pockets and your business card.
Should I send it to the phantom "Assignment Desk"? No. Call
the media outlet and ASK to whom you should send the media kit.
Should I send or hand deliver?
Great question. If you KNOW the name of the person, I’d gamble and
hand deliver it. This takes lots of time. But I still believe the
face-to-face contact gives you an advantage.
Do I need to continue to deliver it on a quarterly basis, or
should one be enough?
One should be enough annually. BUT I think printed media kits are
almost things of the past. You should have an online media kit (on
the press button on your web site). What if 50 companies sent media
kits? Where does the journalist keep all that paper? They usually
have cubicles or small offices. Best way to know: Call or e-mail and
ask. I came across an editor recently who wanted SNAIL mail for
pitches – so that’s how I pitched her.
Should it be in a binded, folder or stapled?
See above.
Thanks,
Tom

Turning the Holiday
Season Into A Profit Period
How Contractors Can Transform Their Seasons
Into Free Publicity Windfalls?
December 2007
by Tom Peric'
Most businesses have a “season” where
business slows down or picks up. To use HVACR contractors as an
example, we all know that turning on your heater (fall) or your air
conditioner (late spring) is as predicable as the seasons
themselves.
Accountants begin to feel the drops of busyness in their business in
January until it’s a waterfall by April 15. Therefore, it makes
sense to pitch an idea around a season.
But what do you pitch? Back to an earlier lesson about headlines:
Solve a problem. Think of who your audience (customers) is, what do
you know that will help them solve a problem AND why does it matter
NOW. . . or least for this season.
For example, I’ve always had great success with contractors when
writing articles on their behalf or sending out press releases
showing how to save money by reducing energy costs. Now, with the
green movement exploding (I can’t seem to find one business
publication without a green-related article headline on the front
cover), it’s more timely than ever.
You can even “stretch” your publicity contribution to match the
season. I got nice exposure for a client by offering spring
maintenance tips from my HVACR client. Now you’re thinking, I don’t
do home maintenance. I just to HVACR, plumbing or electrical. Well,
the tips were suggestions that you can find in any article on the
Internet, such as clean your gutters.
Naturally, I rewrote anything I used that pertained without copying
the words (you CAN’T copyright ideas).
In that article we also include, naturally, some HVACR spring
maintenance tips. But the reason I went with overall tips is that it
added a broader range of suggestions to the reader than JUST HVACR
tips. I even added a nice, color photo of a “homeowner” walking
around the house carrying a ladder.
If you say there IS no season to which you can link your business,
then go to Chase’s Calendar of Events (
www.chases.com
). It is the Bible of special events and holidays. Let’s say you’re
a handwriting analyst. Well, in January we have Handwriting Analysis
Week. That might be a good time to beef up PR efforts (hopefully,
for magazines you did this in October). You can find a good list at
the Chase Web site, but the directory is best. Virtually EVERY
library’s reference desk has one. Take your business, find one to
three different events or holidays and link your PR efforts to that
particular day, week or month.
For December, here’s just a sampling from Chase:
December
• Bingo's Birthday Month
• Choose a Summer Camp Month, Natl
• Colorectal Cancer Education and Awareness Month
• Drunk and Drugged Driving Prevention Month, Natl
• Identity Theft Prevention and Awareness Month
• Learn a Foreign Language Month
• Safe Toys and Gifts Month
• Spiritual Literacy Month
• Tie Month, Natl
• Write a Business Plan Month, Natl
But remember, the book has MANY MORE
examples. There’s even Publicity for Profit week in February. Who
created that event? Answer: I did.
If there is no day, week or month that fits your business (a most
unlikely occurrence), you can create your own holiday or special
event at NO cost. That’s right. Just go to the Chase Web site and
follow the directions.
Remember, either dovetail your PR efforts to events people know are
occurring (winter is approaching or a tax deadline) OR create an
event or holiday and draw their attention to its existence.
Copyright Galileo Communications Inc. 2007
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by Creating
a “Real” Holiday & Other Tactics Used by Media Experts (
www.wackydays.com ) has sold more copies to HVACR
contractors than any other in the industry. Contact him at
856-874-0049 or
tom@thegalileo.com. Special
Note: For a FREE CD, no obligation of Tom revealing his PR secrets,
send an e-mail to
tom@thegalileo.com. com (or fax
to 856-874-0052) and put CD in the subject heading. You’ll get a
free copy of the audio CD, no phones calls, no commitments, no
addition to a mailing list, no addition to an e-mail list, etc.

A Secret
Publicity Technique Even the Pros Ignore
January 2008
by Tom Peric'
Of all the practices that PR folks seem to ignore, the worst is the
one that deals with editorial (edit) calendars. (How do I know this?
I’m the editor of two national trade publications when I’m not
wearing the publicity expert hat. It’s clear many never think about
edit calendars.)
Edit calendars generally apply to print (and online) publications.
However, sometimes you’ll find one for the broadcast media.
Each fall, the editors of most publications sit and decide on the
general topics they’re going to write about in the coming year. Then
they issue an edit calendar with the results of their decisions. It
is IMPORTANT that if you want publicity in publications, you look at
the editorial calendar BEFORE you pitch your idea. The calendar is
broken down on a monthly basis, and that allows you to see what
topics the editor slated for that month. Try to match your pitch
(the reason they should write about you) to a topic.
You will find edit calendars usually under the advertising or
editorial section of the magazine’s Web site.
Some advice about edit calendars:
1. A Inside
Peek. You can easily see why it makes sense to use edit
calendars when possible. They give you a feel for what a
publication covers in print. As noted, in most cases, broadcast
media has no (or very limited) “editorial calendars.” But the
editors are actually doing you a service. In a sense, editors
are saying, “Here’s how to sell a story idea to me.” What if you
were in another industry and knew that in October, the people
you sell to would be interested in widgets made only in Nova
Scotia? If you made widgets or had any connection whatsoever to
Nova Scotia, you would probably have a real shot at making a
sale.
2. Knowing the Amount of Content. How much does an edit
calendar actually tell you about the content in future issues?
I’ve always said the edit calendar is responsible for 20% to
100% of the content for publication. But it varies widely. (Yes,
I’ve actually found one that adhered to the calendar 100 %.) The
only way you’ll know is to get the calendar and match it up
during the years.
Most magazines allow for some editorial (articles) to appear
that aren’t in the calendar. These stories generally generate
from editorial meetings or an editor’s or publisher’s decision
to go with a story because they like the idea. Also, consumer
publications are more likely to rely less on edit calendars if
they cover breaking news. This is less true in the trade press.
3. Sticking To the Schedule. This leads to another point:
Some publications are not slavish about adhering to the calendar
but, for the most part, they do. Why? They realize that
advertiser might have bought into an issue based on the
editorial promise of a certain topic.
4. The Influence of Advertising. Separation of church and
state (editorial and advertising departments) varies so greatly
that there’s no point in discussing it. In other words, some
publications favor advertisers for editorial (articles) over
nonadvertisers. The larger the publication (and more successful
financially), the more separation, which means that those that
buy advertising have less influence on obtaining editorial
coverage.
5. Forward Thinking. Every magazine varies with regard to
how far they work in advance. For some consumer women’s
publication, they work SIX months in advance (even more). One
May, I came across writers working on Thanksgiving and Christmas
stories. Every magazine is different. But I would venture an
estimate on three months to six months as the average time frame
for working in advance. As I write this on Dec. 29, for example,
HVACR Distribution Business is working on the April issue.
6. Final Word. The editorial calendar is a great guide
but not the last word. What sells an editor on writing a story
are people and ideas and these might not be part of the edit
calendars. Often these types of stories receiving an airing
during an editorial meeting where a writer or editor serves as
the “champion” for your topic and promotes you as a subject.
7. Follow Through. What are you waiting for? Find the
five most important publications to your business and dig up
those edit calendars. Then start pitching your story ideas.
Copyright Galileo Communications Inc.
2007
Tom Peric, president of Cherry Hill, NJ-based Galileo Communications
Inc., spent more than 25 years in the media business. He’s also an
expert in our industry. He’s the editor of HVACR Distribution
Business magazine, the official magazine of HARDI, and his book
Wacky Days: How to Get Millions of $$$ in Free Publicity by Creating
a “Real” Holiday & Other Tactics Used by Media Experts (
www.wackydays.com ) has sold more copies to HVACR
contractors than any other in the industry. Contact him at
856-874-0049 or
tom@thegalileo.com. Special
Note: For a FREE CD, no obligation of Tom revealing his PR secrets,
send an e-mail to
tom@thegalileo.com. com (or fax
to 856-874-0052) and put CD in the subject heading. You’ll get a
free copy of the audio CD, no phones calls, no commitments, no
addition to a mailing list, no addition to an e-mail list, etc.
 |